Thursday, March 10, 2011

putting up walls

Mar11__0030

i have never said the word 'wall' so many times in a day as i have today. after a week of working out the best kinds of wall for AURA i feel like i'm officially obsessed with the things now.

so, apparently my main task at the moment is to build some walls for the studio. primarily for the purpose of a clearer demarcation between "what's mine is mine" and "what's mine is not yet yours".

as much as i wish that the looseness of the current studio space could be kept as is, the reality of the project (ie, people moving shit around) and the long-term ideas about having artists in the space for a while, means that it's time to put walls up, people.

i guess this is what 6 months in berlin has come to.


over the last week i have been talking about walls, drawing walls, taking pictures of walls and getting random voicemail messages about walls.

cardboard
last friday i went and met with marika and anna from dear patti smith - a new, performance-friendly artspace on smith st. the show they had up recently featured some beautifully made cardboard walls, complete with inset open spaces as shelves. i thought they would look amazing in the underground space - lit well, and we could still talk to each other through the open spaces.

we talked about the possibility of commissioning some walls from them, maybe running a wall-making workshop and seeing if residents wanted to learn how to make walls out of cardboard (??), or something. anyway, thanks to all the recent rain, and the proof of how much water actually does get into the basement, that idea is now basically a crap one.


concrete
then, on the weekend, i saw these amazing cast concrete mini-walls. i imagined a stack of them on (braked) castors that we could use to keep customising the space and would fit with the aesthetic of the space.

then i realised that i had fuck-all skills for pouring or casting concrete, that they'd be heavy as fuck, and a scary risk nightmare waiting to happen. dammit. one day, they will be mine...


plaster
so, kids, the final solution appears to be you're old 'strut'n'baton clad' version of a studio wall.
build the wooden freestanding structure, clad it in plaster board. tried and true. and able to be built by 4-6 peeps in about a day.

which means that, as soon as i have enough cash to go to provens and to recruit wall-building helpers, we will have ourselves a working bee. huzzah! i think i'll bake a cake.

2 comments:

  1. ...LOVE IMAGE...HATE WALLS...AND ELIZABETH GROSZ'S CHAOS, COSMOS, TERRITORY AND ARCHITECTURE...PARTICULARLY ARCHITECTURE!!!...!!!...!...IRONICK...MORONICK...IDEOLOGICAL DELEUZIAN APPROPRIATIONS...

    http://www.frieze.com/issue/article/the_art_of_war/

    ...PLEASE GodOfDesolation...NO CASH OR WALLS UNTIL JUNE!!!...!!!...!...

    http://www.scribd.com/doc/14807302/Bishop-Antagonism-and-Relational-Aesthetics

    ...DISCUSS...YAWN...

    ...LOVE...

    ...AESTHETIC ANTAGONISM...

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  2. ...FURTHERMORE...THE FOX CONDESCENDSIONINGLY...EVOKEationS...FASCISTICKISMS...THE FINAL SOLUTION...THE ATLANTICK WALL...

    ...FROM UNIVERSITY OF NOTTINGHAM'S MICHAEL EADES...'CELLS, RECESSES, TOMBS: VERTIGINOUS SPACES IN BATAILLE'S LE BLEU DU CIEL'...ROUGHLY TRANSLATED FROM THE FRENCH INTO ENGLISH...THE BLUE NOON...

    "'Espace [Space] is the subject and title of another of Bataille's Documents articles, in which he explored space with reference to a series of unexpected metaphors, all marked in some way by deviancy and taboo. Space is like an ape dressed as a woman, he says (implying that it is deceptive, anthropomorphic); it is also like 'un rite ignoble d'initiation' [an ignoble initiation rite'] or 'un poisson qui en mange un autre' ['a fish swallowing another]. This last comparison is particularly resonant, suggesting that space is both stratified, like a series of Russian dolls fitting one inside the other, and predatory, devouring. For all these reasons - presented with all this evidence of deviancy - Bataille argues, the 'philosophe-papa' [philosopher-papa] embodied by the architect or town planner recognises space as criminal and seeks to contain and incarcerate it. Structures are built, WALLS ERECTED. The architectural edifice is raised to impose order on unruly or 'criminal' space. Space itself thus becomes the ultimate 'unquiet' element held back by the architectural/philosophical order. As a partial remedy to this, Bataille mischieviously suggests reversing the terms of criminality and putting the philosophers in prison, incarcerating them, 'pour leur apprende ce que c'est que l'espace' [to teach them what space is]"

    http://www.mhra.org.uk/ojs/index.php/wph/article/view/71/69

    ...BATAILLE'S ENCYCLOPEDIA ACEPHALICA WITH ORIGINAL TEXT ON PAGE 85...

    http://docs.google.com/viewer?a=v&q=cache:J_wEws-mLIgJ:athemita.files.wordpress.com/2007/04/encyclopaedia-acephalica.pdf+ATHEMITA+georges+bataille+space+ENCYCLOPEDIA+ACE&hl=en&gl=au&pid=bl&srcid=ADGEESgjYLSo6uHJJZoypWWyxHGYNlBIK1-N_e7uULUW1SULELsHSsZ7LauBZVJnB2L1uMmMXkJWQdlKPkp1BfyZgq4s95tpQzVZRWNuratFO-bouf365JMhcySP9cgHLNDZ-_ojlTbm&sig=AHIEtbRBsi75dDkmJ9Nbg4XUpCrwh_yrIA

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